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Online Photo Sharing: Not Just for Family and Vacation Photos
You may have joined the photo-sharing craze to share your family vacation photos, but have you thought about other uses for photo sharing? Here are just a few ideas: Scrapbooking: Hobbies: Class Reunions: Arts and Crafts Portfolio: Genealogy: School Events: Weddings: Rubber Stamping Designs: Okay, you get the picture. Use your imagination and you'll find dozens of opportunities for sharing your photos. PHOTO SHARING SITES AND SOFTWARE The next step is how do you do it? That's easy too. With the digital camera craze comes a proliferation of photo sharing sites and software. The top sites include Ofoto, Shutterfly and Snapfish, which give you simple, free software so you can make basic edits such as adjust the contrast, crop and remove red-eye. You can quickly upload your images to their website and put photos in different albums, name the albums and add captions. Then you just email your friends the link to your album. The good news is it's free; the down side is that some sites limit the number of photos you can share. These sites, of course, will also print your photos for as little as 22 cents each and mail them to you; those who view your albums can also order prints. There are some great services dedicated to photo sharing that offer unlimited photo storage space for a nominal fee. These include Pixagogo, which is a web-based service for sharing, organizing and storing your digital photos inside instant albums that can be viewed by anyone you want. It's an easy way to share photos with others, and an excellent means of backing up valuable photos or publishing illustrations on a web site or a market place. For a $5 monthly membership fee, you get unlimited secure storage of your original images of any size for as long as you want. Pixagogo's features include easy drag & drop photo uploading, the ability to create elegant online albums and full screen slide shows, share selected album links with family and friends via a simple email link, and a self-organizing photo timeline. You can also order prints on Fuji paper at competitive prices. There are also several inexpensive software applications for photo sharing on the web, including FotoFinish and the SendPix sharing feature of ACDSee 6.0. With both programs you can email photos directly from the application at sizes you specify. FotoFinish also gives you 20MB of free personal web space to upload and share your albums or individual photos. ACDSee lets you share up to 50 photos in an unlimited number of albums on their server at no charge for up to 30 days. It also has an HTML photo album generator so you can create web page photo albums to upload to your own site. Whatever method you choose, sharing your pics on the net is a great timesaver with lots of opportunity for creativity. Valerie Goettsch publishes the digital photography website http://www.digitalphotos101.com featuring reviews of photo editing and album software and digital photo printing services.
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Or the light fixtures in your living room may find a place in the picture and appear in the form an unseemly blob in your photo. And the tough part is, when you take the shot you may not be aware of this because the eye is focused on the people in the picture. -->Avoiding Too Many ElementsA picture cluttered with too many objects may detract from the actual subject. For instance, a wide view of a room in which your subject is sitting may create a photo in which too many objects vie for attention. If the person in the picture is your main target then narrow down and concentrate mostly on clicking the subject. While a good background adds value to a picture, too much paraphernalia could take the attention away from the main subject. 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If you are photographing a camel in a desert, you might want the camel to be clear and a slightly hazy/blurred effect of the surrounding sand. If you are taking a shot of a room containing a priceless vase, when you look through your viewfinder, you want the finer details of the intricate patterns on the vase to be clearer than other objects in its vicinity. So, it's also a question of the portion or key part of your picture your focus is really on. This area that you identify for your focus is referred to as the 'depth of field'. You can lock the focus on the depth of field that you choose. You can control the focus and depth of field depending on your objectives for different shots. The basics of photography are better applied when you put into perspective the capabilities of the camera model that you use or plan to purchase. Simple point and shoot cameras require minimal knowledge in operating them. They are easy to use and have the bare minimum controls. The user has to just compose and aim the shot on the subject and presses the shutter button. 'Click' and the job is done. The camera handles its functions automatically. For those of you who want to work with a slightly more sophisticated camera, you have the option of a Single Lens Reflex camera popularly called the SLR system. This type of camera is available in both 35mm film format as well as digital format. Digital cameras have no film but the image is captured on an image sensor and stored in photo memory. Digital cameras in general provide superior picture quality. The internal system of the SLR camera is made up of angled prisms and mirrors that actually work like a lens when you click. But you have a few things to learn about this camera system before you can achieve better light exposure, sharpness and good focus. While it is imperative that you study the instruction manual of your SLR camera system thoroughly to understand the features and functioning, given here are some of the features and a brief explanation on how these features can help you in achieving the right exposure. -->Additional Lenses for Close Up ShotsAn additional feature in an SLR camera that makes it far superior to a simple 'point and shoot' camera is the ability to use add-on lenses. When you attempt to take a close up shot of objects in nature like a flower or a butterfly, you might want a very high level of clarity. You can add power to your camera by attaching an additional lens onto your camera lens for greater magnification of your subject. These supplementary lenses are available at reasonable prices in different powers like +2, +3 and so on.You can also look for a model with an optical zoom lens that gives you the flexibility of variable focal length and a range of lens options within a single zoom lens.-->Shutter SpeedThe shutter in your camera lets light in during a shot and keeps light out at other times. When the shutter opens for an exposure, light is allowed to impact on the film or image sensor. If you set a slow shutter speed, more light impacts on the sensor and affects the type of exposure. When you use a faster shutter speeds your picture is sharper and clearer. There is a maximum shutter speed that is available to you in your camera system. The shutter speed is set at a fraction of a second- for instance, 1/1000th of a second. It could also be 1/2000th or even the much-preferred higher speed of 1/4000th of a second that is available in certain models. Professional use models boast of even higher shutter speed of 1/6000th or 1/8000th of a second. If you want to freeze action such as in sports, you require fast shutter speeds.There are many more features that when used effectively can add value to the impact of your photographs. Most 35mm SLR cameras have a TTL viewfinder. TTL stands for 'through the lens' metering system. This device has the ability to measure (on a scale) the amount of light impacting the film. Using this device is the key to control the exposure and get the right amount of light in order to capture a proper image. You can also use a tripod with your SLR camera. A tripod is your answer to achieving the right exposure in a close up shot and in low light conditions. It holds the camera steady, helps in focusing and ensures a sharper picture even when shutter speed is slow. The guidelines discussed here on the basics of photography and the additional features of the SLR system, will not only get you started but also help you avoid the common mistakes that many budding photographers make. Study your manual thoroughly for insights and ideas. Learning photography requires patience and the ability to constantly experiment and teach yourself through a process of trial and error. Digital Cameras Demystified Demystifying Digital Camera Jargon Home Run Baseball Photography Tips Strike one! Strike two! Strike three! Traveling to Europe with Your Digital Camera? The Vacation Season is fast approaching and naturally you will be taking your digital camera along for the journey. After all your vacations are far and few between and it is nice to look back on those memories as you slave away at your job. However, when you travel with a digital camera, it is a completely different experience from that of traveling with a film camera. This is a lesson that far too many travelers seem to be learning the hard way, especially if you're traveling to Europe. After a couples years of relying solely on digital camera for taking photos when I travel, there are things you should consider before you head off on your next trip. A Guide to Underwater Cameras There are two types of underwater camera systems: an ""amphibious"" camera, which is a self-contained waterproof system, and an SLR land camera with waterproof housing. Amphibious systems are small, compact, and easy to travel with, while SLRs offer more advanced features, such as auto-focus, advanced exposure control, and through-the-lens viewing. Megapixel Cameras: How Many Megapixels Do You Need? Knowing which megapixel camera to buy can be intimidating. There are literally hundreds of models of digital cameras out on the market today. How can you know how many megapixels you'll need? Travel and Scenic Photography 101 When you're driving through the mountains somewhere, and you notice a car parked half off the road and some guy leaning to the left to avoid a branch with his Rebel 2000 camera in the act of focusing, you've met me. I do this because, to me, a trip isn't fulfilling unless I've preserved that beauty for posterity. I'd like to share some of the techniques that make scenic photography such a wonderful artform - simple, yet elegant.First off, equipment. As much as the cheapo disposable camera beckons, get real. These cameras have fisheye lenses which I call "spam" lenses. They cram everything in, with equal blurriness and boringness. Good photos are sharp, unless you use blur for artistic effect. Sharp comes from an adjustable lens. It can be a fixed lens or a zoom, but it must focus specially for each picture. Fixed lenses are limiting for scenic pictures, where to frame the shot you may need to move long distances. Imagine using a fixed lens on the Washington Monument, when you're half a block away! Zooms get my vote, even though they often don't have as wide an aperture, which limits their capabilities in low light situations. Practically speaking, an SLR is the absolute best. They are lightweight, and can be used with top quality lenses. Film SLRs tend to be less expensive, but have the limitations of film, meaning you have to get it developed and so forth. Digital SLRs are VERY expensive, so for the budget conscious either go with a film SLR or a high quality basic digital camera. With digital, resolution is also a critical factor, so look at the specs before you buy.OK, we've got the camera, emotions are running high, and that's great, but not too great! Sometimes I find a spot that is so wonderful, I start shooting like a madman, only to be disappointed by the pictures. What happened? Emotions. When you experience a place, there are sounds, aromas and breezes as well as the visuals of the spot. Needless to say, you can't photograph all of these elements, only the visual. When overwhelmed by the spectacle of a scenic hotspot, we are often overwhelmed by all of these elements.So what to do? Look through your camera. The viewfinder does not lie (usually). Try to see what you are looking at as the finished picture. Most people perfunctorily take pictures, hoping that somehow the shot will come out great. If you wonder how the pictures came out when you are on the way to the drug store to get them, you're doing something wrong. At the moment you click the pic, you should know exactly what you will get. (Of course with digital, that's not a trick!). Now, I was a tad dishonest in saying that you can't capture all of the elements of a scene. You can hint at them. For starters, motion. Yes, even in a still picture, there is motion. Something happened before, during and after your picture. In a mountain vista scene, you may find something that hints at motion, whether it be a branch of a tree that has been swaying in the breeze, or a river flowing through the valley below. These add a sense of motion. Then there's the "rule of thirds." When you place the main object of the picture smack-dab in the middle, it is static and boring. Place it one third of the way from either side, and you IMPLY motion. Put the horizon in a landscape photo a third of the way up or down, not across the middle.Remember, when a person looks at a picture, their eyes move. You want to frame your photo to help that movement. If you can find some lines in the scene, such as a skyline, cloud formation, path through the forest, etcetera, use it interestingly, and with the rule of thirds to draw your viewer's eyes into the picture.Avoid "summit syndrome." You get to the top of Mount Washington and shoot the majestic vista. Great. The pictures come out ... boring! How? No PERSPECTIVE. Big vistas will be flat unless you have an object in the foreground, such as a rock or a tree, to give them perspective. Then the eye really grasps how big this scene is. People enjoying the view is a real winner, because the viewer may identify with their emotions, giving the image real impact.Cheese! Yes, you do have to take the family photos. It's obligatory. But when you do, make sure that they show the LOCATION of the photo. Otherwise, you might as well do it on your driveway. Frame the scene in context, with landmarks as part of the picture. Find a way to tell as story in the picture, such as little Sara climbing up the rocks by the waterfall.Finally, any element in the picture that hints at more senses than just the visual will make it remarkable. Actor headshots for example, tell a story about the subject. You can almost hear them saying their next lines. If you photograph a garden, the viewer may experience the aroma of the flowers. A tourist street with an accordion player on the corner may have your amazed friends whistling "Dixie."In summation, picture taking on travel is recording the experience in a satisfying way. Use motion, perspective, sensory, storytelling and so forth, to bring your photos to life. Oh, and needless to say, make your job easy and go to great places! See you at the overlook!
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