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Underwater Digital Cameras
Underwater photography's is primarily focused towards entertaining and informing the people and the users themselves about what is happening in the world of under water with the aid of photography. The advent of digital cameras has opened up new horizons for such ventures. These digital cameras are not only handy and sleek but also they offer a spectral range of features that helps the underwater photographers in their work a lot. In this discussion these special features of underwater digital cameras are necessarily been revealed and done justice to! Looking at the grass root level some of the main features that the users of the underwater digital cameras must necessarily seek are as follows. They are applications for land mode, sea mode and external flash mode. This helps in shooting in any conditions in the sea and obtains much better picture quality than ever before. Some other features are like instant delete option after each picture in both sea and external flash modes along with one-button operation features. These mentioned features provide the sophistication as well as ease of control for the photographers. Some more desirable features are expandable and good quality standard lenses, flashes and accessories. Some of the sophisticated and well know underwater digital cameras such as the Aqua Pix DX3100 are fully functional and even have a 3.1 mega pixel resolution. These digital cameras can be aptly described as being effusively amphibious! Thus the chances of water damage and flooding in these underwater digital cameras are greatly reduced and are hence extensively used for professional purposes too. Scrutinizing in some more detail it can be said that the underwater digital cameras mostly use a meniscus lens that can be used above or below the surface of water. The also have features for built in color correction filter and macro lens along with built in flash diffusers too. They utilize multi flash functioning in order to get adequate good quality pictures in the most adverse conditions too. They have sufficient memory of around 15MB and come equipped with complete storage, editing and image manipulation software. It still remains a fact that underwater photography is a difficult yet fascinating profession. Moreover, with the underwater digital cameras this task has become even easier and creative along with greater scopes to express much more through the eyes of the lens. It is hoped that the new depths of underwater photography would be fathomed with the aid of the underwater digital cameras! About The Author Jakob Jelling is the founder of http://www.snapjunky.com. Visit his digital camera guide and learn how to take better pictures with your digicam.
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The angle of light is another important consideration. You have to pay attention to the direction from which light falls on your subject and there are several approaches in manipulating the angle of light to improve the visual appeal of a picture.Sideways lighting: Light from the side is used to creates depth in the picture and is considered one of the best ways to use light if you are taking a portrait photograph.Light from the top: This is a method used to brighten up most of the scene but does not work as well when you take a photograph of a person. It tends to create shadows on the lower half of the face when the lighting is high. Light from behind your subject: This strategy is sometimes used by photographers to amplify the impact of the picture. It can create a halo like effect; it can add artistic shadows and can also create a striking contrast between the subject and the background if used effectively. When you use a 'back light' it is recommended that the fill-flash settings on your camera are also adjusted in order to avoid shadows in your photograph. The second issue in photography is the aesthetics of the picture. Aesthetics is the creativity and attention to detail that you bring to your photograph. It is the most interesting part of photography since it is almost like a visual equivalent of composing a poem or writing a story. Aesthetics requires the use of visual skills to compose and deliver a pleasing, eye-catching and captivating image. It is a type of vision that you have for your photograph in terms of look and appeal. Aesthetics requires a good eye for detail. The following factors have to borne in mind in creating an aesthetically appealing photograph:Background--Periphery--Distance from subject--Changing the direction of your camera based on picture dimensions--Objects impinging on the picture--Avoiding too many elementsEach of these factors that go into aesthetics are described and explained below--->BackgroundThe background in a photograph requires much consideration. It influences the manner in which your subject is portrayed in the photograph. Depending on your choice of background, your subject will be shown to effect or may be overshadowed. The background also makes the difference between a boring and an interesting photograph. The colors, the type of background and the context add to the vibrancy of the photo. -->PerpheryA common problem among beginners in photography is not paying attention to whether the image is being captured fully. 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These supplementary lenses are available at reasonable prices in different powers like +2, +3 and so on.You can also look for a model with an optical zoom lens that gives you the flexibility of variable focal length and a range of lens options within a single zoom lens.-->Shutter SpeedThe shutter in your camera lets light in during a shot and keeps light out at other times. When the shutter opens for an exposure, light is allowed to impact on the film or image sensor. If you set a slow shutter speed, more light impacts on the sensor and affects the type of exposure. When you use a faster shutter speeds your picture is sharper and clearer. There is a maximum shutter speed that is available to you in your camera system. The shutter speed is set at a fraction of a second- for instance, 1/1000th of a second. It could also be 1/2000th or even the much-preferred higher speed of 1/4000th of a second that is available in certain models. 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